Posts Tagged ‘re:Fresh Faces’

22 Jul 2010

re:Fresh Faces Part 3

Hey folks!
We’ve got another installment of re:Fresh Faces for you this week, talking to Michelle Tripp, who’s currently the Animation Director for Stoked.

It’s Michelle’s job to coordinate a team of over twenty animators working to bring the staff of the Surfer’s Paradise resort to life. First, she breaks up each episode into sections and assigns them to the individual animator best suited for the scene. Some might specialize in action sequences or have a real knack for animating a character’s acting. After that, Michelle does three passes of retakes, check for things like continuity error and making sure all of the characters’ movements are believable.

“I just love seeing things move!” Michelle told me. “It’s an interesting process.” Unlike productions created using traditional animation, Flash animation allows the Elliott Animation team to do the entire production in-house, which means Michelle has the chance to see everything along the way. She also sets a high bar for herself and her team. “We’re always trying to achieve more,” she explained, describing Stoked’s quality of animation as being closer to that of a feature film than what most people expect from a television series. For anyone interested in getting into the field, Michelle offered this advice. “Be open to criticism. Always be a learner.”

Thanks again to Michelle for taking us behind the scenes and giving us the scoop on her job! If you’re curious about the process behind your favourite shows, drop us a line in the comments with your questions.

Stay fresh,
Brendan

15 Jul 2010

re:Fresh Faces Part 2

Hey folks!
It’s time once again to meet one of the many people who’s hard work goes into bringing your favourite shows to life! Today we’re throwing the spotlight on Picture Editor Mary Dorich.

As a picture editor, Mary works on each episode both pre and post-production. First, she places the completed storyboards on a timeline along with the recorded audio, assembling the scenes, trimming for time and adjusting pacing. It’s up to her to decide when an emotional moment needs an extra pause and to hit the perfect comedic timing with each gag.

That preliminary version is then sent off to the animators. When Mary gets the post-production footage back, she takes another pass over it, making any further adjustments, like choosing making a transition between scenes a little faster or cutting the episode down to broadcast time. “It’s both mechanical and creative,” she explained.

Watching the same material over and over again takes a lot of patience, but Mary told me that she always finds a new element to focus on. She described pulling together all of the work from each department as being like bringing together a family. She laughed, “People are always telling me I get to watch cartoons all day.”

The most important skills an editor needs to have, she noted, are an attention to detail and a knack for organization. “You have to bring out what makes people laugh, what makes them think, what entertains them.” More than anything, you have to remember to keep it fresh!

Stay fresh,
Brendan

12 Jul 2010

TDWT Background Artwork

Hey folks!
Sam Bradley, who was featured on Thursday’s re:Fresh Faces, asked me the other day if I thought you guys would be interested in seeing some of the background artwork he’d cooked up for TDWT. He took my high pitched squealing as a ‘yes’, and passed these along!

How awesome is that?!

Stay fresh,
Brendan

9 Jul 2010

re:Fresh Faces Part 1

Hey folks!
Today we’ve got the first installment of a brand new feature for you! In each re:Fresh Faces I’ll be profiling a different person from the Fresh TV and Elliott Animation offices, giving you a look behind the scenes at the nuts and bolts of making a great show!

Location/Layout Designer Sam Bradley

I caught up with Location/Layout Designer Sam Bradley while he was working on some new Total Drama backgrounds. While most of the artists in the studio work on computers and digital tablets, Sam explained that old fashioned light tables are actually more convenient for the work he does. Not having access to tools like copying or stretching results in a more natural look, forcing him to rely on his own sense of design.

There are two separate but equally important parts to the design of a setting. First, Sam will get the script for a new episode, and come up with a background for each location. After feedback from the directors, those are sent to the storyboard artists, helping them keep things consistent. About a month and a half later, the storyboards are complete, and Sam creates new layouts for each dramatic angle and shot!

“We were kinda spoiled with this season of Total Drama,” Sam told me. Getting to draw the locations for each city the contestants visit on their world tour was like getting to design an entirely new show each time they got a new script. For any fans looking to do what he does, Sam suggested starting with the basics. “It’s obvious, but focus on learning to draw,” he advised. To keep your work fresh and original, don’t just look at existing animation for ideas; check out everything from classical paintings to real landmarks. “Real life is the best source of inspiration.”

A big thanks to Sam for taking the time to give us this inside look at his job! Keep an eye out for more re:Fresh Faces in the weeks to come!

Stay fresh,
Brendan

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